The Politics of Solitude: Oldboy and Korean Noir

This is my second entry for the Korean Blogathon. Enjoy! When I asked a friend why he thought Southern Korean cinema seems to offer so many films based upon the theme of revenge, I got a much different answer than the one I was expecting. Most people I know simply chalked it up to the [...]

A Snake in the Grass: Escape From New York and Noir Fusion

I like a good film noir as much as the next gal. Truly I do. Nothing I like better than spending the afternoon or evening at the theater (if I’m lucky) being surrounded by unreliable narrators, gorgeous and manipulative femmes fatale, and guys who were in the wrong place at the wrong time. However, I [...]

Seeing Double: The Big Combo and Visual Kinetics

***PREFACE: THIS ENTRY DOES CONTAIN SPOILERS. IF YOU HAVE NOT SEEN THIS FILM, PLEASE BE AWARE THAT THERE ARE SPOILERS WITHIN. BUT, AS AN ADDITIONAL NOTE, KNOWING THE INFORMATION WILL NOT RUIN THE FILM. IT’S ABSOLUTELY INCREDIBLY.*** The Image is more than an idea. It is a vortex or cluster of fused ideas and is [...]

Deader Than a .357 Magnum: Electra Glide in Blue and the Noir of the Road

When people think of noir and neo-noir, the name Robert Blake does get bandied about periodically. After all, he has either been the star of or a rather central figure of two very interesting films in the genre: In Cold Blood (1967) and Lost Highway (1997). However, I would like to posit that there is [...]

Book ‘em, Noir-o!: This Gun for Hire and The Glass Key

On February 9, I traipsed down to my local movie theater, The New Beverly Cinema, notebook in hand, excitement in heart. There was a double feature of two films that I had never seen in my favorite genre: film noir. At first, I thought I had seen This Gun for Hire, but as the film [...]